"From beginning to end, this soundtrack is amazing. It feels very much like a throwback to the kind of soundtrack you’d hear during the Golden Age of Cinema… filled with rich musical layers, the strings in particular range from menacing to thoughtful (but still full of tension). This music is so beautiful, with a great homage to Bernard Herrmann… Ben Lovett has knocked it out of the park with this one."
— Film Music Central
"Ben Lovett's The Wolf of Snow Hollow takes cues from Bernard Herrmann and Angelo Badalamenti to establish its idiosyncratic approach that shouldn't work, but does."
— Charlie Brigden, The Quietus
"Lovett’s eerie title cue that introduces us to the town of the title clearly has Bernard Herrmann in its DNA and perhaps some of the Twilight Zone music he composed, while several string pieces twist and wind as the mystery increases. It’s probably more focused than the (intentionally) wildly metamorphosing lm itself, and that makes it a clear storytelling asset, which alone makes this score so highly recommended."
— Film School Rejects, Best Film Scores of 2020
"A Swiss Army knife of a composer who is just as comfortable with obscure instruments like the Nyckelharpa (see The Wind) as he is with hybrid electronic-symphonic orchestration (The Ritual) or synth scores (Synchronicity)… Lovett looked to [Bernard] Herrmann for inspiration to complement the film …there’s something to that type of score in the hands of a composer willing to take risks."
— Aaron Vehling, Vehlinggo