"The Ben Lovett score, which plays like a wonderfully shameless love letter to Vangelis’ Blade Runner soundtrack, is simply fantastic."
— Nerdist
"Ben Lovett’s old-school synth score makes a particular effort to evoke the retro-futurist aesthetics of fondly remembered 1970s and early ’80s sci-fi films."
— Variety
"Heads-up, synth fans: Ben Lovett’s Synchronicity might just be this year’s It Follows."
— Films On Wax
"A gigantic marvel of amazement comes in the form of the film’s score by Ben Lovett."
— Icons Of Fright
"Ben Lovett’s spectacular, persistent, synthesized musical mix of percussion, piano, horns, and classical chorale swings between abstract atonality and fibrillating, unsettling sounds."
— Filmmaker Magazine
"This is without a doubt my first true love of 2016, a score that takes me back and on a journey through space and time. They don’t make scores like this anymore, seriously."
— Soundtrack Geek
"Likely to be a future classic… Ben Lovett’s sophisticated electronic score is a brooding, glacial synth masterpiece and one of the best scores of 2016."
— Mondo
"The score, by Ben Lovett, is extremely groovy. This is a very stylish movie."
— Birth.Movies.Death
"Ben Lovett approaches the score as if he time-traveled back in time."
— Film. Music. Media.
"One of the highlights is Ben Lovett’s score, a synth-laden ’80s throwback that makes sure you know it’s there in nearly every scene. Normally I get distracted when a score is so prominently on display, but in this case it complemented the nostalgic sci-fi feel of the film perfectly."
— Film Pulse
"The narrative is given a big boost by the Ben Lovett’s synth-laden score that recalls the iconic Vangelis music of Blade Runner."
— Bloody Disgusting
"Ben Lovett’s hypnotic and propulsive synth music complements the subtle yet often adrenalized feel to the narrative, while such wonderful touches as a reel to reel player gives the movie its intended analog days aesthetic."
— Hollywood Outbreak
"Ben Lovett’s excellent score provides Synchronicity with a moody, trance-like soundscape."
— Sound On Sight
"Ben Lovett’s melancholic score recalls Vangelis without losing its own significant character."
— The Evening Class
"Ben Lovett's Moog-played score recalls Vangelis without aping him."
— Hollywood Reporter
"The score is a delicate balance of classic noir with movements that bring to mind the scores of Vangelis…it just adds so much depth and character to the visuals."
— Fears Mag
"Adding the emotions is an impressive score by composer Ben Lovett…recalling the synthesizer soundtracks of the 1980s, [the score] is haunting and romantic despite the seemingly alienating sounds utilized in the orchestration."
— Bleeding Cool
"Ben Lovett's soundtrack for this film is nothing short of WONDERFUL. If you the sound of early electronic artists from the 1970s and 1980s, you'll find a lot to appreciate here... stunning voyages into the world of instrumental electronics composed by a guy who obviously knows what he's doing."
— Baby Sue