"Wondrously accomplished and furiously expressive drama blending the moody rambles of a road movie with the tightly ratcheted criminal tension of a film noir."
- Richard Brody, The New Yorker
"Straight out of the vintage noir paperbacks. A nightmarish haze of paranoia, hysteria, and murder."
"Composer Ben Lovett crafted the film's deeply unsettling soundtrack by recording different music boxes, and then slowing down and picking apart the subsequent tracks. The result is recognizable songs turned sinister, complete with building tones, drones, and pulses. Paired with the film's inhospitable environment, Lovett's work adds significantly to the quietly freaky tone of the film."
-Cullen Gallagher, Hammer to Nail
- Film School Rejects